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The Father of the Musical Thought

The inner sense of hearing
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

makes the self
7, 8, 15

of the musical creator the first listener of his composition.
Yet, it is also this self
7, 8, 15
6, 9, 16
4, 11, 18
5, 10, 17

which, for itself and for all other selfs,
7. 12, 8. 13, 15. 25
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25,
16. 26, 27, 17. 28, 29, 30
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34

generated the musical thought
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

in his mind –
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

purely from its own inner joy, from its own inner playfulness, and from its own affection for the many other selfs – but also from the intuitive knowledge that all the selfs of the world together, form one big family, and that, as member of this universal family, they are but the blessed parts of that one great father of the family, embodied in the harmony.